Hello world!

Pursuing Hollywood

Author: Nathaniel Kohn

Publisher: Rowman Altamira

ISBN: 0759109257

Category: Performing Arts

Page: 179

View: 331

Download Now →

A former Hollywood screenwriter and producer (Zulu Dawn) recounts his experiences and relates them to communication and cultural theory.
Pursuing Hollywood
Language: en
Pages: 179
Authors: Nathaniel Kohn
Categories: Performing Arts
Type: BOOK - Published: 2006 - Publisher: Rowman Altamira

A former Hollywood screenwriter and producer (Zulu Dawn) recounts his experiences and relates them to communication and cultural theory.
Hollywood Incoherent
Language: en
Pages: 276
Authors: Todd Berliner
Categories: Performing Arts
Type: BOOK - Published: 2010-10-01 - Publisher: University of Texas Press

"Most books about American film in the 1970s tell stories about iconoclastic auteurs working in the shadow of the Vietnam War. Stepping away from this tradition, Todd Berliner gives us a bold and compelling study of the strange, paradoxical narrative style of seventies films, which seemed to flout the canonical
The Official Hollywood Handbook
Language: en
Pages: 176
Authors: John Blumenthal
Categories: Hollywood (Los Angeles, Calif.)
Type: BOOK - Published: 1984 - Publisher: Pocket Books

Books about The Official Hollywood Handbook
Rock Star/Movie Star
Language: en
Pages: 288
Authors: Landon Palmer
Categories: Music
Type: BOOK - Published: 2020-06-30 - Publisher: Oxford University Press

During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and
Production Studies, The Sequel!
Language: en
Pages: 286
Authors: Miranda Banks, Bridget Conor, Vicki Mayer
Categories: Social Science
Type: BOOK - Published: 2015-07-03 - Publisher: Routledge

Production Studies, The Sequel! is an exciting exploration of the experiences of media workers in local, global, and digital communities—from prop-masters in Germany, Chinese film auteurs, producers of children’s television in Qatar, Italian radio broadcasters, filmmakers in Ethiopia and Nigeria, to seemingly-autonomous Twitterbots. Case studies examine international production cultures across