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Bernardo Bertolucci

Author: Bernardo Bertolucci

Publisher: Univ. Press of Mississippi

ISBN: 1578062055

Category: Biography & Autobiography

Page: 276

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Forty years of collected interviews with the influential filmmaker of The Last Emperor, Last Tango in Paris, and Little Buddha
Bernardo Bertolucci
Language: un
Pages: 276
Authors: Bernardo Bertolucci
Categories: Biography & Autobiography
Type: BOOK - Published: 2000 - Publisher: Univ. Press of Mississippi

Forty years of collected interviews with the influential filmmaker of The Last Emperor, Last Tango in Paris, and Little Buddha
Bernardo Bertolucci
Language: en
Pages: 258
Authors: Robert Phillip Kolker
Categories: Motion picture producers and directors
Type: BOOK - Published: 1985 - Publisher:

Emphasizing form and content, this first full-length study of the complex, imaginative films of the controversial director includes historical, formal, and aesthetic perspectives and analytical comparisons with Pasolini and Godard
Bernardo Bertolucci
Language: un
Pages: 281
Authors: Claretta Tonetti
Categories: Performing Arts
Type: BOOK - Published: 1995 - Publisher: Macmillan Reference USA

In 1962, the year in which he directed his first film The Grim Reaper, Bernado Bertolucci published a book of poetry entitled In cerca del mistero (In Search of Mystery) - a title which characterizes his entire cinematic work. In this study, Claretta Tonetti recognizes that Bertolucci search for knowledge
Bernardo Bertolucci
Language: un
Pages: 258
Authors: Robert Phillip Kolker
Categories: Motion picture producers and directors
Type: BOOK - Published: 1985 - Publisher:

Emphasizing form and content, this first full-length study of the complex, imaginative films of the controversial director includes historical, formal, and aesthetic perspectives and analytical comparisons with Pasolini and Godard
Emotion and Cognition in the Films of Bernardo Bertolucci
Language: un
Pages: 238
Authors: Silvana Serra
Categories: Performing Arts
Type: BOOK - Published: 2013-05 - Publisher: Troubador Publishing

This is the first book to analyse the aesthetics and narrative structures of Bertolucci's films by using affective and cognitive theory in order to determine the ways in which they engage viewers emotionally and intellectually, as well as to re-establish a sense of proportion with regard to the psychoanalytical interpretations